DJI Zenmuse X7 (Lens Excluded)
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DJI Zenmuse X7 (Lens Excluded)

Fully compatible with the DJI Inspire 2, the Zenmuse X7 is a compact Super 35 camera with an integrated gimbal made for high-end filmmaking.

1188.9 £

Viktoriia Turzhanska
Product Manager
Українська / Polski
Telegram +48723706700

Michał Skrok
Product Manager
English / Polski


The Zenmuse X7 is a compact Super 35 camera with an integrated gimbal made for high-end filmmaking that delivers stunning resolution and image quality. Its compatibility with the Inspire 2 offers the best in next-level professional aerial cinematography. A 24 MP CMOS sensor rated at 14 stops of dynamic range preserves astonishing detail and offers both 6K CinemaDNG and 5.2K Apple ProRes* with support for continuous RAW burst shooting at 20 fps and 24 MP stills.

The X7 also introduces the DL-Mount, the world's first integrated aerial lens mount that allows switching between four available prime lenses quickly. For seamless editing, a new DJI Cinema Color System preserves accurate colors for easier post-processing. These latest innovations allow filmmakers to reach new heights and capture scenes as they imagine them with the DJI Zenmuse X7.

*You may need to purchase a license key for recording video into record with CinemaDNG, Apple ProRes, or Apple ProRes RAW

Engineered for Excellence

The X7 uses a Super 35 sensor, and its high readout speed supports RAW output at 6K/30 fps and 3.9K/59.94 fps. The pixel size reaches 3.91 µm and the diagonal length of the sensor is 26.6 mm when recording. A sensor this size offers a higher sensitivity to light and 14 stops of dynamic range — much wider than the 12.8 stops featured on the Zenmuse X5S. Furthermore, the SNR of the X7 is 46 dB, 8 dB higher than the X5S, and the tonal range is as high as 9.41 bits. All of these features offer unlimited creative options for a better workflow in the most demanding situations on set.

  • S35 Sensor
  • 6K CinemaDNG
  • 14Stops Dynamic Range

DJI DL-Mount System

Taking advantage of new FSI-Cu technology, the X7’s sensor features thinner interconnection, allowing light to reach the sensing area via a larger incident angle for increased photosensitivity. This enables a more compact lens mount to be used on this sensor while maintaining excellent image quality.

The flange focal distance of the DL-Mount is less than 17 mm – roughly 1/3 of the size of a PL-Mount. Such a compact mount means that the X7 weighs only about 630 g with a lens included. Together, the X7 and Inspire 2 weigh around just 4 kg with the ability to capture the same challenging shots as more heavy-duty setups weighing up to 40 kg.

  • 58  mm Diameter
  • 16.84  mm Flange Focal Distance
  • 449g Weight

DL Lenses

DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16-50 mm and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.

Apple ProRes RAW

DJI has obtained authorization from Apple for the latest Apple ProRes RAW. When mounted to the Inspire 2, the Zenmuse X7 is capable of recording 6K 14-bit Apple ProRes RAW video at 23.976 fps.

More Creative Flexibility

To unleash the X7's full potential, the CineCore image processing system on the Inspire 2 has been fully upgraded to CineCore 2.1. It is capable of recording 6K/30fps CinemaDNG and 5.2K/30fps Apple ProRes, leaving more creative options in post-production.

A brand new EI Mode has been integrated into CineCore 2.1, which can record high-quality footage at various levels of sensitivity. Additionally, the upgraded image processing system further reduces image artifacts and noise, preserving more details while adopting an improved dark level correction system for pro-level cinematic images.

Apart from improved image processing performance, CineCore 2.1 also features a new color system, giving professional filmmakers more creative flexibility in post-production.

A Game Changer from Shoot to Finish

To unlock the wide-ranging possibilities of DJI professional imaging systems and open more room for post-processing aerial photography in filmmaking, DJI is proud to introduce the brand new DJI Cinema Color System.

The new color system consists of a new D-Log curve and a D-Gamut RGB color space. With professional cinematography in mind, the D-Log can encode 15 stops of dynamic range, two stops higher than the CineCore 2.0. Even in poor light conditions, the X7 can still preserve stunning detail in shadows and highlights, leaving more room for post-production creativity.

D-Gamut covers the entire DCI-P3 color space commonly used in filmmaking. Tailored for aerial cinematography and stills photography, D-Gamut provides larger green tone coverage, delivering beautiful green gradation for your shoots.

D-Gamut also offers optimized skin tone adjustment by moving these tones to their most suitable chromaticity, ensuring vivid colors are reflected from every inch of skin. By applying the dedicated 3D-LUT in color grading, skin tones will softly transition, even with wide exposure differences. When designing D-Gamut, we considered manual color grading, preventing skin tones from turning yellow when editing without 3D-LUT or color management.

Extended Dynamic Range

Wider dynamic range under similar settings

Natural Highlight Roll Off

When adjusting image brightness during color grading, colors will fade out simultaneously with brightness.

Balanced Color: Easier Grading

Saturation on R/G/B color is carefully balanced.

Soft Skin Tones

Softer skin tones leave more room for post-editing.

More Creative Possibilities

In addition to official LUTs from DJI, many widely-available LUTs can also be used.



Product Name Zenmuse X7

Dimensions 151 × 108 × 132 mm

Weight (Lens Excluded) 449 g


Sensor Sensor Size (Still): 23.5×15.7 mm, Sensor Size (Max video recording area): 23.5×12.5 mm, Effective Pixels: 24 MP

Supported Lenses DJI DL-S 16mm F2.8 ND ASPH (with lens hood and balancing ring/filter), DJI DL 24mm F2.8 LS ASPH (with lens hood and balancing ring/filter), DJI DL 35mm F2.8 LS ASPH (with lens hood and balancing ring/filter), DJI DL 50mm F2.8 LS ASPH (with lens hood and balancing ring/filter

Supported Micro SD/SSD Cards MicroSD: Class 10 or UHS-1 rating with a writing speed of 15 MB/s required; Max capacity: 128 GB, SSD: DJI CINESSD

Photo Sizes 3:2 (6016 × 4008)16:9(6016 × 3376)4:3(5216 × 3912)


Operation Modes Capture, Record, Playback

Still Photography Modes Micro SD: Single Shot, Burst Shooting (3/5/7/10 shots), Auto Exposure Bracketing (3/5 bracketed shots at 0.7 EV bias), Interval, SSD: RAW Burst (3/5/7/10/14/∞ frames), up to 20 fps when using RAW Burst (exact quantity is determined by storage card capacity and battery power level)

Shutter Speed Electronic Shutter Speed: 1/8000 – 8s, Mechanical Shutter Speed: 1/1000 – 8s (DJI DL-S 16mm F2.8 ND ASPH not supported)

ISO Range Photo: 100 – 25600, Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off)


Video Formats CINESSD: CinemaDNG, ProRes, Micro SD: MOV, MP4

Video Resolution

Aspect Ratio 17:9

CinemaDNG 6K: 6016×3200, 23.976p, 14-bit ; 6K: 6016×3200, 24/25/29.97/30p, 12-bit ; 5.4K: 5440×2880, 23.976/24p, 14-bit ; 4K DCI: 4096×2160, 23.976p, 14-bit ; 4K DCI: 4096×2160, 24/25/29.97/30/47.95/48p, 12-bit ; 3.9K: 3944×2088, 50/59.94p, 12-bit

ProRes RAW 6K: 6016×3200, 23.976p, 14-bit ; 6K: 6016×3200, 24/25/29.97/30p, 12-bit ; 5.4K: 5440×2880, 23.976/24p, 14-bit ; 4K DCI: 4096×2160, 47.95/48p, 12-bit

ProRes RAW HQ 6K: 6016×3200, 23.976p, 14-bit

ProRes 4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 10-bit, HQ ; 2K: 2048×1080, 47.95/50/59.94p, 10-bit, HQ/XQ

H.264 4K DCI: 4096×2160, 24/25/30/48/50/59.94p

H.265 4K DCI: 4096×2160, 24/25/30p ; HD: 1280×720, 24/25/30/48/50/59.94p

Aspect Ratio 16:9

CinemaDNG 6K: 5760×3240, 23.976p, 14-bit ; 6K: 5760×3240, 24/25/29.97/30p, 12-bit ; 5.1K: 5120×2880, 23.976/24p, 14-bit ; 4K Ultra HD: 3840×2160, 23.976p, 14-bit 4K Ultra HD: 3840×2160, 24/25/29.97/30/47.95/48p, 12-bit ; 3.7K: 3712×2088, 50/59.94, 12-bit

ProRes RAW 6K: 5760×3240, 23.976p, 14-bit ; 6K: 5760×3240, 24/25/29.97/30p, 12-bit ; 5.1K: 5120×2880, 23.976/24p, 14-bit ; 4K Ultra HD: 3840×2160, 47.95/48p, 12-bit

ProRes RAW HQ 6K: 5760×3240, 23.976p, 14-bit

ProRes 4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 10-bit, HQ/XQ ; 2.7K: 2704×1520, 47.95/50/59.94p, 10-bit, HQ ; FHD:1920×1080, 47.95/50/59.94p, 10-bit, HQ/XQ

H.264 4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p ; 2.7K: 2720×1530, 24/25/30/48/50/59.94p ; FHD: 1920×1080, 24/25/30/48/50/59.94p ; HD: 1280×720, 24/25/30/48/50/59.94p

H.265 4K Ultra HD: 3840×2160, 24/25/30p ; 2.7K: 2720×1530, 24/25/30/48/50/59.94p ; FHD: 1920×1080, 24/25/30/48/50/59.94p

Aspect Ratio 2.44:1

CinemaDNG 5.2K: 5280×2160, 23.976p, 14-bit ; 5.2K: 5280×2160, 24/25/29.97/30/47.95/48p, 12-bit

ProRes 5.2K: 5280×2160, 23.976/24/25/29.97/30p, 10-bit, HQ

H.264/H.265 4K Ultra HD: 3840×1572, 30p

(FOV will be narrower when shooting at a high frame rate. For more information, please refer to the Zenmuse X7 User Manual.)


Angular Vibration Range ±0.005°

Mount Detachable

Controllable Range Tilt: +40° to -125°; Pan: ±300°; Roll: ±20°

Mechanical Range Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50°

Max Controllable Speed Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s

Camera Features

Exposure Mode Auto, Manual, Shutter Priority, Aperture Priority

Exposure Compensation ±3.0 (3 stops of light)

Metering Center-Weighted Metering, Spot Metering (12 × 8 area selection)

AE Lock Supported

White Balance Auto, Sunny, Cloudy, Incandescent, Neon, Custom (2000 K – 10000 K)

Video Caption Supported (AVC/HEVC)

PAL/NTSC Supported

Ultrasonic Dust Removal Supported


Operating Temperature Range -4 to 104° F (-20 to 40° C)

Storage Temperature Range -4 to 140° F (-20 to 60° C)

Data sheet


Shipping & Returns

Return Policy

You can return most new, unopened items within 14 days of delivery.

You should expect a refund within four weeks, but in many cases you will get your money back faster.


We ship to virtually any address in the world. Note that there are restrictions on some products and cannot be shipped to all countries.

When you place an order, we will estimate shipping and delivery times for you based on the availability of your products and the shipping options selected. 

Shipping to Russia and Belarus

We do not send shipments to Russia and Belarus.

Buy in Poland and Ukraine

Our warehouse is located in Warsaw. Address: LIM Center, 13th floor, Aleje Jerozolimskie 65/79, 00-697 Warsaw, Poland. Ask for TAX FREE documents to avoid paying VAT.

We are still waiting for the launch of our branches in Lviv and Kiev. As of today, we cooperate with Ukrainian forwarders and deliver shipments to any place in Ukraine within 14 days. E.g. to Kyiv, Odessa, Dnipro, Kryvyi Rih, Zaporizhzhia, Lviv, Chernivtsi, Khmelnytskyi, Zhytomyr, Vinnytsia, Chernihiv, Cherkasy, Mykolaiv, Poltava, Sumy and many more cities.